How James Bond's costume designer made the women more feminist

Lea Seydoux in Spectre

When it comes to the James Bond movies, there are a couple things you can always count on. 007 is one of Great Britain's best spies, he enjoys a good shaken martini and he'll either work alongside or face off against a beautiful woman. But society has changed quite a bit in since the first James Bond movie, Dr. No, was released in 1962, and in the case of the Bond ladies, what they wore in the early 1960s wouldn't necessarily work well in one of the modern movies. With that in mind, Jany Temime, who was the costume designer on Skyfall and Spectre, opted for a feminist approach and garbed the women in clothing that they would actually want to wear in real life. Temime explained:

"[For] the women, what they were wearing was sexy but was something we would all like to wear. They were very feminist, as well. I try to do my best to bring a lot of feminism in the sexuality of those ladies by giving them things we could wear ourselves. I don't mind a show-stopper dress, but it was something that they would have liked to wear and that they were not wearing because it was a man watching them."

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How Harry Potter Costume Designer Jany Temime Created a World of Magic Through Clothing

Jany Temime

It would be impossible for me to quantify my attachment to the world of "Harry Potter," just as I recognize is the case for a great number of you reading this. It's been six years since the final film came out and 10 since the last book was released; come June 26, "Harry Potter" officially turns 20, a fact that ages me more than any number of birthday candles ever could.

When I meet Jany Temime, the costume designer who came on board for "Harry Potter and the Prisoner of Azkaban" and stayed for the remaining six movies, I lose any cool I normally inhabit during interviews. I partially expect for her to deliver a response bordering on ambivalence — can you imagine how many times a day she hears the same fan-backed fervor? — but instead, she smiles. "At the time, I didn't realize how important it was," she says. "Thank God, because if [I had] I would have been completely paralyzed and incapable of doing anything. It's now that I realize what a nerve it [hit]."

Temime grew up in Paris in the 1960s and 1970s and spent her Saturdays at the studio of her parents' ready-to-wear company, designing sweaters on the side for pocket cash. She never had an inclination to go into the family business, at least directly; costume design was the only profession she ever entertained and now has the award-laden resume to show for it. While "Harry Potter" — or simply "Potter," a very Malfoyian way of speaking — remains her calling card, she's headed up costumes for such Bond films as "Spectre" and "Skyfall," as well as "Gravity," where she reunited with Alfonso Cuarón, who brought her into the "Harry Potter" universe back in 2004. She's also an ambassador for professional art and drawing supplier Prismacolor, which she regularly uses to sketch her work, relying on the soft-core colored pencils and the bold color selection to bring her visions to life on paper.

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Hermione

Many, many things are magical about the Harry Potter books — quills, animals, foods, people, buildings, etc. — but when you think about the movies, one of the first ~magical~ things that comes to mind is the costumes. Starting with Harry Potter and the Prisoner of Azkaban and continuing all the way through both installments of Harry Potter and the Deathly Hallows, those costumes are the work of Jany Temime, a veteran designer who also worked on the James Bond movies Spectre and Skyfall. In honor of the 20th anniversary of Harry Potter and the Sorcerer's Stone (the book), Jany revisited a few of the film series' most iconic looks while she was in NYC for Prismacolor.

Hermione in the yule ball gown from Goblet of Fire

1. Hermione's Yule Ball Gown from Goblet of Fire
"[Hermione] was always the best of the class. She was a tough girl. She was a girl [who only hung out] with boys. And now she appears at the Yule Ball and she’s in pink. People look at her as being a girl, and a very pretty one, which was not established before. It was a lovely dress. It was quite difficult to design because...I didn’t want her to look like she borrowed a dress from her mom or her sister or whatever. It was her sweet sixteen dress, and she loved it."
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