Mary Katranzou S/S20 |
Here, instead of women in ancient togas, making offerings to Poseidon’s tempestuous trident, and his power to stir up storms and shatter fleets of ships, models walked beneath the temple’s colonnades in astonishingly imaginative and painstakingly crafted creations, barely fit for mere mortals. Greece born Katrantzou is the first designer to have access to the sacred space – one of the landmark monuments of the Golden Age of Athens – a period which also heralded democracy, the Western philosophy of Socrates and the dramatic poetry of Sophocles. Katrantzou’s moment of modern magnificence celebrated her home city, and also in a nod to the possibility of the future, the 30th anniversary of Elpida Association of Friends of Children with Cancer.
Pieces had a couture-level of craftsmanship, which referenced Athens’ Golden Age. A caped dress was hand beaded with lines of numbers, in an allusion to Archimedes’ Pi, a delicately fringed gown was embellished with Aristotle’s tenet ‘Everything happens for a reason’, and dresses were festooned with beaded constellations of the night sky, fantasy world maps, ruffled fronds of silk, 3D florals and swirls of feathers. Delphic pleats cascaded across shoulders, and silhouettes came in straight columns, as layered lampshades or as floating orbs.
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