Thursday, 11 October 2018

What happens when you accidentally start a worldwide fashion trend

If you were pay­ing at­ten­tion over the sum­mer you would have no­ticed that beaded bags were every­where. On the arm of Alexa Chung and in the shop win­dows of Top­shop, they were hard to miss.

Gaudy lit­tle things that they were, they ap­pealed to the mag­pie in­side all of us. Their wink­ing multi-coloured beads made other sum­mer totes, like beach and straw, seem deftly dull.

These lit­tle totems surfed the 1970s re­vival trend, so while the de­sign­ers brought these vin­tage-y pieces back into the main­stream for 2018 they al­ready had their own fash­ion his­tory. That said, when New York-based artist Su­san Alexan­dra hit on the idea to cre­ate a se­ries of fruity-themed plas­tic beaded bags that re­called those sweetie-coloured ac­ces­sories of the past she had no idea she was tap­ping into what was to be­come the biggest trend of this sum­mer. Made us­ing a mix­ture of cro­chet­ing, bead­ing and pa­tience, she came up with the con­cept nearly two years’ ago in early 2017.

‘I found the right woman who could take my sketches and wa­ter­colours and trans­form them into beaded mas­ter­pieces’, she tells Grazia, ‘each bag is made by hand with over 1,500 beads’.

While she can’t pin­point the rea­son for the surge in in­ter­est in her cre­ation, she says, it was all ‘very sur­real. Imag­ine the vol­ume turn­ing up from zero to 1,000 al­most overnight!’ Early on she made a fan out of one lo­cal in­flu­encer with an in­ter­na­tional fol­low­ing, Le­an­dra Me­dine who speaks to an au­di­ence of 736K peo­ple on her In­sta­gram and a fur­ther 2 mill on her work ac­count, Man Re­peller. By the time Su­san’s de­signs were go­ing global an­other de­signer had de­vised a sim­i­lar ac­ces­sory. Han­nah Wei­land’s la­bel Shrimps had de­vised the An­to­nia bag. Though it had a box­ier, stur­dier struc­ture it was still very much a beaded bag. Alexan­dra tells me she emailed Wei­land about the sim­i­lar­ity and the sud­den surge of copy­cat de­signs in­fil­trat­ing the lower priced end of the mar­ket.

Read more here