There was a time when shoes were just shoes. But the extraordinary designer Manolo Blahnik has transformed them into magical objects of desire.
The tremendously satisfying thing about Manolo Blahnik, the man, is that he is exactly the way you picture him. The singleminded fashion obsessiveness of Anna Wintour is spiked with the belle-epoque-bonkersness of Ab Fab's Patsy and housed in the body of Hercule Poirot. He is all lush formality and exaggerated polish – a bit like his shoes – both in his clothes (double-breasted suits, bow ties) and his manners. He insists on addressing me as Mrs Cartner-Morley, pronounced with the flourishes of a Spanish accent that has become quirkier rather than softer after 40 years in Britain.
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